In a small room full of iron cabinets, there are young siblings wearing animal masks. Holding a kitchen knife, they livestream themselves from their mobile phone camera as they receive orders from a real-time chatroom. Whenever they receive donations, they move like avatars in games with no sense of guilt. There is already an unconscious person trapped inside the cabinet and the supporters demand a new prey. The moment the safety zone of “anonymous assailant” surrealistically collapses, the genre suddenly turns into horror. Without stepping foot outside the room ever, one can use violence or enjoy absolute power like the king. The spatial property of the Internet inarguably goes hand in hand with occult elements. The constant camera moving is worthy of attention. Most of them look like the perpetrator’s point of view, but the moment it overlaps with the victim, there lies the twist. Who is the person trapped inside? [NA Wonjeong]