Almost-apprehensible subtitles welcome us: “This is a story of three incidents. One is something that already happened, another is a story about something that already happened, and the other is a story that does not tell the story of what happened already.” Just like this statement, the film is composed of multi-layered stories. On the screen, we see Heejo reading while we hear a voice that narrates the story about the deceased Isu and a man. In parallel, we see landscape images without knowing whose points of view they are. Unidentified character and voice dismiss a simple representation of the incident and awakens the multidimensional levels of tense that occupy the story. [KIM Byeonggyu]