The faith in documentary has been long lost: its truth and objectivity that it shows facts as they are. Recently, a few young documentary directors have been leading the breaking of the myth of documentary’s objectivity through the process of making events for themselves and thereby subjectively intervening in them. , and pretends to approach the substance of a case by objectively chasing after what has occurred; but it is nothing but a functional device used to effectively depict a fanciful story that did not exist in the first place. In fact, a new horror film has been made in a reportage format, making use of the fact that the fear of spirits or ghosts becomes all the more intense when there is belief that it is someone else’s actual experience. Is that why an impetuous material such as the murder case of the whole family arouses tighter tension and raises the intensity of fear as the scope of the chase is narrowed? It may appear to be experimenting with the format by collapsing the boundaries of fiction film and documentary, but really, this film is just a little unique and stylish horror film.