How to relate Lumiere’s Arrival of a ''Train at La Ciotat''(1895) to scenes shot on a smartphone by contemporary refugees hidden between iron wheels? By connecting independent and critical news reels, the film gives rise to contemplation and reflection. This short film fulfils the fundamental of cinema in recording and at the same time draws out the power found in the montage of reasoning through brilliant editing and connected ideas. The hidden charm lies in the methods recorded via various media. [LEE Sang-yong]