Edgardo COZARINSKY takes the most liberal form of documentary film to tell the story of a 93-year-old pianist Margarita FERNANDEZ. The introduction, which initiates with a full Brahms rendition, is a very superficial starting point for looking at Margarita’s life and art world. Rather than recounting all of her life, the director evokes the convergence where she meets the history of Argentine avant-garde art: the reverberations of music and art, her memories of certain renditions and the footage of the performances in the 1970s. The film is an essay on the form of art’s survival and a very private letter to future generations over decades. [sung MOON]