At the 27th JEONJU IFF, all screenings will start on time. Late arrivals will only be admitted within the first 10 minutes. This policy also applies to film bundles.

1. Screening Order for Film Bundles

※ Combined screenings may have changes in their order without prior notice.

• Korean Competition for Shorts

- Korean Competition for Shorts 1 (Screening Code 106, 308, 407, 730)

Knock Back, Cola and Ocha, Mirrorless City View

- Korean Competition for Shorts 2 (Screening Code 246, 463, 626, 841)

Ban Dal (Half-moon), Whale Hunting, Fallen Stock, Sales log

- Korean Competition for Shorts 3 (Screening Code 161, 331, 543, 707)

HAPPILY EVER AFTER., Welcome to Set, Someone's Summer, Memil

- Korean Competition for Shorts 4 (Screening Code 143, 355, 527, 719)

Scorched Stone, Rolling, Only Our Song, Post poo drop, A thread left

- Korean Competition for Shorts 5 (Screening Code 268, 425, 656, 821)

The garden plot, Missed call, Metropolitan Ride, Hana and the Missing Sock

- Korean Competition for Shorts 6 (Screening Code 207, 442, 607, 806)

The Eucharist, Feminist- Queer- for Korean Democracy, Afterimage, Touch, took

- Korean Competition for Shorts 7 (Screening Code 127, 377, 507, 740)

How to Be Left Behind, A Real Christmas, Drift Wood,The Way We Lean

- Korean Competition for Shorts 8 (Screening Code 231, 564, 675, 833)

A Letter to Me, Gunju, Phototropism

• Korean Cinema for Shorts

- Korean Cinema for Shorts 1 (Screening Code 316, 317,450, 451, 565, 566, 634, 635)

Crack of dawn, Alley of Bogwang, After School, The Hollow Man

- Korean Cinema for Shorts 2 (Screening Code 322, 323, 468, 469, 547, 548, 668, 669)

After Submersion, Scramble, Milk tooth, Dear Fan

- Korean Cinema for Shorts 3 (Screening Code 341, 342, 414, 415, 531, 532, 615, 616)

fotofiction, Walking in a Spiral, Late Summer Echoes of Love, Emergency Alert

- Korean Cinema for Shorts 4 (Screening Code 360, 361, 432, 433, 514, 515, 650, 651)

Between Us, My Dear Dork, BIASes

• Korean Cinema - Mini Focus: Park Syeyoung, Everything Becomes Cinema

- Park Syeyoung, Everything Becomes Cinema: Shorts (Screening Code 109, 718, 928)

1993, Twilight, Windowlicker,Revenant Princess,Check Pattern,Michelle

• Masters

- Shot Reverse Shot + Fuck the Polis (Screening Code 157, 364, 627)

Shot Reverse Shot, Fuck the Polis

• Expanded Cinema

- Expanded Cinema Shorts 1 (Screening Code 382, 535, 712)

Conditio Humana; Lover, Lovers, Loving, Love; XTENDED RELEASE; Search for Immortality; Shards; In Transit

- Expanded Cinema Shorts 2 (Screening Code 117, 362, 812)

Forever...Forever, The Light of Silence, In Sum, FLIM FLAM

- Expanded Cinema Shorts 3 (Screening Code 274, 429, 661)

FELT, The Flat Earth, Surface Memory Oblivion, Filme Pin, The Weary Hours of Two Lab Assistants

• Cinephile JEONJU

- Harvard Film Archive Shorts: Landscape Cinema, Beyond the Sublime (Screening Code 338, 516, 723)

Creation, Crossroads, Hand Held Day

• Back to Hong Kong: Cinema + Avant-garde

- Private Revolutions, Public Spaces: Works from the M+ Asian Avant-Garde Film Collection (Screening Code 357, 435, 644)

Untitled 77-A, Dysfunction No.3, Revolutions Happen Like Refrains in a Song

• Guest Cinephile: Pere Portabella

- Portabella: the Artistic Avant-Gardes (Screening Code 256, 456, 536)

Miró Other, Vampir-Cuadecuc

- Portabella: Political Cinema (Screening Code 334, 503, 748)

The Dinner, Removal

• Special Focus: New York Underground – The Mavericks

- New York Underground - The Mavericks Jack Smith 1 (Screening Code 279, 434, 734)

No President, I Was A Male Yvonne De Carlo

- New York Underground - The Mavericks Jack Smith 2 (Screening Code 371, 639, 911)

Blonde Cobra, Flaming Creatures

- New York Underground - The Mavericks Carolee Schneemann (Screening Code 454, 654, 717)

Viet-Flakes, Meat Joy, Fuses, Snows, Body Collage, Plumb Line

• Midnight Cinema

- Midnight Screening 1 (Screening Code 1111, 1112, 1113)

The Curse, Incomplete Chairs, I Fell in Love with a Z-Grade Director in Brooklyn, Oscillation

- Midnight Screening 2 (Screening Code 2111, 2112, 2113)

Projecto Global, AnyMart, Dog of God

- Midnight Screening 3 (Screening Code 3111, 3112, 3113)

The Virgin of the Quarry Lake, King of Minami Ver.50 (The Code of the Loan Shark), A Weapon in My Heart

- Midnight Screening 4 (Screening Code 4111, 4112, 4113)

Nadja, Don't Look Now, The Red Spectacles

• WITHBOM (Barrier-free) Version for Shorts

- WITHBOM (Barrier-free) Version for Shorts 1 (Screening Code 612)

SLOWLY, A Pear Tree in the Star Village, mistletoe

- WITHBOM (Barrier-free) Version for Shorts 2 (Screening Code 716)

For Girls, Galbi, The Roots, The Cold Breath

- WITHBOM (Barrier-free) Version for Shorts 3 (Screening Code 709)

Family Tree, Unboxing, Womb Mates

• Local Independent Cinema Showcase Shorts

- Local Independent Cinema Showcase Shorts 1 (Screening Code 232, 233, 844, 907)

Haunt, Starting over, No Diving, Noise Canceling

- Local Independent Cinema Showcase Shorts 2 (Screening Code 215, 216, 834, 919)

Connection—Fantasy, Men Wandering in the Mountain, First Line

• Special Screening: JEONJU X Meet

- Shorts + Meet Class (Screening Code 347)

Knocking on the Door of Your Heart, Unexpected Fart, Mom, Popo And Me

2. Notice for Screenings

- Korean Cinema after hours (Screening Code 169, 327, 404)

* This film does not provide English subtitles.

- Expanded Cinema Shorts 3 Surface Memory Oblivion (Screening Code 274, 429, 661, 2001, 2002)

* This film is a silent film.

- Expanded Cinema Shorts 1 (Screening Code 382, 535, 712)

Conditio Humana

* This film is a silent film.

Lover, Lovers, Loving, Love

* This film is a silent film.

Search for Immortality

* This film is a silent film.

In Transit

* This film is a silent film.

- Harvard Film Archive Shorts: Landscape Cinema, Beyond the Sublime (Screening Code 338, 516, 723)

Creation

* This film is a silent film.

Hand Held Day

* This film is a silent film.

- New York Underground - The Mavericks Jack Smith 1 (Screening Code 279, 434, 734)

No President

* Please note that there is no dialogue and Korean subtitles are not provided for the on-screen text.

- New York Underground - The Mavericks Carolee Schneemann (Screening Code 454, 654, 717)

Viet-Flakes

* Please note that there is no dialogue and Korean subtitles are not provided for the on-screen text.

Meat Joy

* Please note that Korean subtitles are not provided due to overlapping French and English dialogue.

Fuses

* Please note that this is a silent film and Korean subtitles are not provided for the on-screen text.

Snows

* Please note that there is no dialogue and Korean subtitles are not provided for the on-screen text.

Body Collage

* Please note that this is a silent film and Korean subtitles are not provided for the on-screen text.

Plumb Line

* Please note that Korean subtitles are based on transcriptions and may contain inaccuracies in place and personal names.

- Back to Hong Kong: Cinema + Avant-garde The Arch (Screening Code 101, 368, 520)

* This screening features a restored version of the 1968 print.
Please note that there are multiple sections in which the subtitles do not match the dialogue.
Please note that there are multiple sections in which the English subtitles are missing.

- Special Screening Satantango (Screening Code 510)

* Please note that English subtitles are not provided for this film.

** The film consists of three parts, with a 10-minute intermission after Parts 1 and 2.

- Cinephile JEONJU Extraordinary Stories (Screening Code 120, 409, 605)

* The film consists of three parts, with a 10-minute intermission after Parts 1 and 2.

- J Special: Programmer of the Year Lawrence of Arabia (Screening Code 245, 537, 807)

* The film consists of two parts, with a 20-minute intermission after Part 1.

- Midnight Screening 1 (Screening Code 1111, 1112, 1113)

The Curse, Incomplete Chairs, I Fell in Love with a Z-Grade Director in Brooklyn, Oscillation

* Four films screened together, with three 20-minute intermissions.

- Midnight Screening 2 (Screening Code 2111, 2112, 2113)

Projecto Global, AnyMart, Dog of God

* Three films screened together, with two 20-minute intermissions.

- Midnight Screening 3 (Screening Code 3111, 3112, 3113)

The Virgin of the Quarry Lake, King of Minami Ver.50 (The Code of the Loan Shark), A Weapon in My Heart

* Three films screened together, with two 20-minute intermissions.

- Midnight Screening 4 (Screening Code 4111, 4112, 4113)

Nadja, Don't Look Now, The Red Spectacles

* Three films screened together, with two 20-minute intermissions.

• Special Screening: JEONJU X Meet

Merry Christmas Mr. Mo + Meet Class (Screening Code 174)

* Please note that English subtitles are not provided for this film.

Swallow + Meet Class (Screening Code 165)

* Please note that English subtitles are not provided for this film.

I Wish + Meet Class (Screening Code 236)

* Please note that English subtitles are not provided for this film.

Failan + Meet Class (Screening Code 280)

* Please note that English subtitles are not provided for this film.

- Shorts + Meet Class (Screening Code 347)

Knocking on the Door of Your Heart

* Please note that English subtitles are not provided for this film.

• Local Independent Cinema Showcase Shorts

- Local Independent Cinema Showcase Shorts 1 (Screening Code 232, 233, 844, 907)

Starting over

* Please note that certain subtitles are omitted in accordance with the director's intent.

• Special Screening: WITHBOM (Barrier-free) Version (Screening Code 612, 637, 655, 673, 709, 716, 725, 738)

* This screening will feature Korean accessible subtitles only, with no English subtitles, and admission is free.

• Live Film Performance: Lee Jangwook + Lee Minhwi

Surface Memory Oblivion (Screening Code 2001, 2002)

* The screening presents a Live Film Performance in which music director Lee Minhwi and a cellist Nam Jeongheon perform alongside Lee Jangwook's 16mm film.

The Light of Silence (Screening Code 2001, 2002)

* The screening presents a Live Film Performance in which music director Lee Minhwi and a cellist Nam Jeongheon perform alongside Lee Jangwook's 16mm film.