Some sorrow waters imagination. And this film pushes the audience into the puddles that have thus formed. There is a man who holds the wheel of a car. His physical body freely roams from the yellow streets to the pitch-dark space, but his soul is tied to one place. This animation, which takes the audience to the place only at the end, shows how longing expands the mind’s journey. The simple imagery and concise structure amplify sentiments that linger. (NAM Sunwoo)